FULLER, HELEN CV

Born Adelaide, South Australia 1949
1994 Master Visual Arts, University of South Australia
1978 Diploma of Fine Art (Painting), University of South Australia
1971 Diploma of Teaching (secondary Art), University of South Australia

AWARDS & PRIZES

2004 Arts SA Professional Development Grant
2003 Artist-in-Residence, Wilderness School, Adelaide
1997 Arts SA Project Grant
1995 Arts SA Project Grant
1994 Artist-in-Residence, Noosa Regional Gallery
1992 Australia Council for the Arts Asialink Residency, Zhejiang Academy of Fine Arts, Hangzhou, China
1986 Australia Council, Visual Arts Board Project Grant
1982 Australia Council, Visual Arts Board Project Grant
1982 Artist-in-Residence, Queensland University of Technology
1977 SAS 10 (Adelaide) Young Artists Award (acquisitive)

COLLECTIONS

Arco Coal Australia Inc, Brisbane
Artbank
Art Gallery of South Australia, Adelaide
National Gallery of Australia, Canberra
Brisbane City Hall Art Gallery and Museum
Flinders University Art Collection
Gold Coast City Art Gallery
Griffith University, Brisbane
Ipswich City Council Art Gallery
Museum of Contemporary Art, Brisbane
National Gallery of Victoria
Parliament House, Canberra
Queensland Art Gallery, Brisbane
Queensland University of Technology, Brisbane
Sir John and Lady Cruthers collection, Perth
University of Queensland Art Museum
University College of Southern Queensland, Toowoomba
Wilderness School, Adelaide

SOLO EXHIBITIONS
2007 Samplers, The Victorian Tapestry Workshop, Melbourne, VIC
2006 Helen Fuller: Gossamer, Sullivan+Strumpf Fine Art, Sydney
2006 Helen Fuller, Watson Place Gallery, Melbourne
2005 Helen Fuller, Sullivan+Strumpf Fine Art, Sydney
2005 Dirndl Grids, Helen Maxwell Gallery, Canberra
2004 Dirndl Patterns, Watson Place Gallery, Melbourne
2004 White Elephant Black Sheep, Prospect Gallery, Adelaide
2003 Rag installation, Wilderness School, Adelaide
2002 cha T, Jam Factory, Adelaide
2001 Art is tic, Nexus Cabaret Window Exhibition, Nexus Multicultural Arts Centre, Adelaide
1999 Family Snaps #2, J111 Gallery, University of South Australia, Underdale, SA
1998 Buttons, Gallery 482, Brisbane
1998 ...the thing about Present History, Noosa Regional Gallery, Queensland
1997 Drawings, aGOG Australian Girls Own Gallery, Canberra
1996 BCF: Caravan, Experimental Art Foundation Adelaide
1995 Helen Fuller: BCF, University of South Australia Art Museum, Adelaide
1995 Drawings Gallery 482, Brisbane
1994 Recent drawings, aGOG Australian Girls Own Gallery, Canberra
1993 Helen Fuller, China World Hotel, Beijing, China Zheijiang Academy of Fine Arts, Hangzhou, China
1992 Helen Lillecrapp-Fuller: A Visual Diary 1979-1991, Perce Tucker Regional Gallery, Townsville Queensland; Gold Coast City Art Gallery, Queensland
1991 Helen Lillecrapp-Fuller: A Visual Diary 1979-1991, Queensland Art Gallery, Brisbane
1990 Savode Gallery, Brisbane
1989 Savode Gallery, Brisbane
1987 Ray Hughes Gallery, Sydney
1986 Ray Hughes Gallery, Brisbane
1986 Anima Gallery, Adelaide
1982 Ray Hughes Gallery, Brisbane
1981 Ray Hughes Gallery, Brisbane
1979 Ray Hughes Gallery, Brisbane

GROUP EXHIBITIONS
2008 SSFA08, Sullivan + Strumpf Fine Art, Sydney, NSW
2007 SSFA07, Sullivan + Strumpf Fine Art, Sydney, NSW
2006 Writing a painting-Robin Best and Helen Fuller., Curator Vivonne Thwaithes South Australian School of Art Museum, UNISA, Adelaide
2006 The Tallis Foundation 2006 National Works on Paper Exhibition, Mornington Peninsular Regional Gallery, Victoria
2006 Hazy Days - Christine McCormack & Helen Fuller, Bay Discovery Centre, Glenelg, SA
2005 Moist: Australian Watercolours, National Gallery of Australia, Canberra
2004 From The Ephemeral To The Eternal, curated Stephen Rainbird, Uni SA Art Museum, Adelaide
2004 Universal Playground, Adelaide Festival 2004
2004 Fragments, Queensland Art Gallery, Brisbane
2004 Paintings by James Cochran, Helen Fuller and Alan Tucker, The Occasional Gallery, Adelaide
2004 Drawing Today, curated by Margot Osborne, Central School of Art, Adelaide
2002 Installation Stills, curated by Niki Vouis, Centre for Contemporary Photography, Melbourne
2001 Home is where the heart is - The Australian Home 1901-2000, A Centenary of Federation Project, curated Vivonne Twaithes
2001 Installation Stills, curated by Niki Vouis, Contemporary Art Centre South Australia, Adelaide
2000 White Shed: Helen Fuller, Alison Main, Nikki Vouis, CACSA, Adelaide
2000 Triptych, Helen Maxwell Gallery, Canberra
2000 Defiling the object: response to systems of collection and display, Nexus Gallery, Gabriel Gallery, Footscray Community Centre ,Vic. & The Substation, Singapore
2000 Installation Stills, CACSA Adelaide
2000 Chemistry: Art in South Austraslia 1990-2000 The Faulding Exhibition Art Gallery of South Australia
1999 Public Studio, Nexus Gallery Project, Rundle Mall, Adelaide
1999 Dolls, Artspace Adelaide Festival Centre, Adelaide. Object Galleries, Sydney
1999 People, Places, Pastimes: challenging perspectives of Ipswich Global Artlink, Ipswich, Queensland
1999 Dig-cross cultural excavations, Nexus Gallery, Adelaide
1999 Border Space, Photospace Gallery, Canberra School of Art, Canberra
1998 All this and Heaven too, 1998 Adelaide Festival Exhibition, Art Gallery of South Australia
1998 Vault - Ian North/Helen Fuller EAF, Adelaide
1998 Defiling the object: response to systems of collection and display Nexus Gallery, Adelaide
1998 Cosie - She decorated the house and called it home: Annette McKee/Helen Fuller, Jam Factory, Adelaide
1998 False Endings, Canberra Contemporary Art Space
1998 Reform, Griffith Artworks, Griffith University, and Queensland
1997 Mutant Paradigm, CACSA, Adelaide
1997 Dualisms#3 - Sara Lindsay/Helen Fuller, SEAS Gallery, Adelaide
1996 Recent Acquisitions, Art Gallery of South Australia
1996 The Power to Move; Aspects of Australian Photography, Queensland Art Gallery
1996 Compost - Artist Week Adelaide Festival of Arts 1996
1996 Photo 5, Gallery 482, Brisbane
1994 Australian Universities Exhibition of Visual Art, Australian High Commission, Singapore
1994 Waste Not: A Material Issue, Toowoomba Art Gallery
1993 Waste Not, Postpacked: reduced, reused, recycled, Toowoomba Regional Art Gallery (touring exhibition)
1993 Spleen-Fazakerley/Fuller, SEAS Gallery, Adelaide
1993 Australian Universities Exhibition of Visual Art Australian High Commission, Singapore
1993 South Australian School of Art Masters & Graduate Diploma Exhibition, University of South Australia Art Museum, Adelaide
1991 , Queensland University of Technology, Brisbane
1991 Fertile Ground: Contemporary Views of Australian Landscape (travelling exhibition), Griffith Artworks, Griffith University, Brisbane
1990 Works by QUT Art Staff Queensland University of Technology, Brisbane
1990 Mixed Media Mass Media Painters Gallery, Sydney
1990 Bigger than Ben Hur Art Auction, Institute of Modern Art, Brisbane
1989 Staff Show, Brisbane CAE, Kelvin Grove Campus, Brisbane
1989 Assembled Art, Gold Coast City Art Gallery, Queensland
1989 Shot from Down Under; an Exhibition of Nine Australian Photographers Kodak Photo Salon Gallery, Tokyo; Daicolo Galley, Osaka; Hide Gallery, Nagoya, Japan
1989 Beneath the Surface: Selected Works from the Corporate Collection of Arco Coal Australia Inc., Brisbane; Suncorp Art Awards M.O.C.A. Gallery, Brisbane
1988 A New Generation 1983-88 The Phillip Morris Arts Grant Purchases, Australian National Gallery, Canberra
1988 A Complementary Caste: A Homage to Women Artists in Queensland, Past & Present, Gold Coast City Art Gallery
1987 Cool Quiet Art, Ipswich City Council Art Gallery, Ipswich
1987 Recent Works, Ray Hughes Gallery, Brisbane
1987 Recent Drawings, Ray Hughes Gallery, Brisbane
1987 Opening, M.O.C.A. Gallery, Brisbane
1986 Aberdare Prize for Still Life, Ipswich City Council Gallery, Ipswich
1986 Moments in Queensland Contemporary Art, Queensland Art Gallery, Brisbane
1986 The Repeated Image, Griffith University, Brisbane (exhibited at the Brisbane City Hall Art Gallery
1985 Queensland Works 1950-1985 University Art Museum of Queensland, Brisbane
1985 East and West: The Meeting of Asian and European Art, Art Gallery of South Australia, Adelaide
1985 Recent Acquisitions, Art Gallery of South Australia, Adelaide
1984 Acquisitions and Alternatives Sculpture, Monash University, Melbourne
1983 Australian Perspecta Art Gallery of New South Wales, Sydney
1983 Acquisitions 1973-83, University Art Museum, University of Queensland, Brisbane
1983 Continuum'83, Studio 200, Tokyo, Japan
1982 Big Drawings Ray Hughes Gallery, Brisbane
1982 A Photographer's Choice, Ray Hughes Gallery, Brisbane and Darling Downs Institute of Advanced Education, Toowoomba
1982 South Australian Paperwork, Art Gallery of South Australia, Adelaide (touring exhibition)
1982 The Collage Show, Visual Arts Board Regional Development Program No. 10, Sydney (touring exhibition)
1982 Women Artists, University Art Museum, University of Queensland
1982 Trustees' Purchase Exhibition 1982, Queensland Art Gallery, Brisbane
1982 Maud Vizard-Wholonan Art Purchase Award: Works on Paper, Art Gallery of South Australia, Adelaide
1981 Ray Hughes Gallery at Pinacotheca Pinacotheca Gallery, Melbourne
1979 Drawn and Quartered: Australian Contemporary Paperwork, Art Gallery of South Australia, Adelaide
1979 Group Exhibition, Contemporary Art Society, Adelaide
1979 Brisbane Women Artists, Kelvin Grove CAE, Brisbane
1979 Queensland Connection, Contemporary Art Society, Adelaide
1979 Airshow, Dalby Art Centre, Dalby, Queensland
1979 Young South Australians, Contemporary Art Society, Adelaide
1979 Members Works on Paper, Contemporary Art Society, Adelaide
1978 Tertiary Art Students Exhibition, Torrens College of Advanced Education, Adelaide
1977 SAS 10 Young Artists Award, Festival Centre, Adelaide

BIBLIOGRAPHY

‘Delicacy the hallmark of passing fancies’ The Adelaide Review October 15 2004 p 21
Nelson, Robert ‘Experimentation, not archetype’ The Age Friday August 27 2004
Philipp, Caroline ‘Paper Yarns’ (catalogue essay) Helen Fuller Dirndl Patterns 2004
From the Ephemeral to the Eternal- the recent work of Eugene Carchesio, Helen Fuller, Madonna Staunton’, UniSA Art Museum 2004 (catalogue)
'The strain of translation' The Adelaide Review No 223 April 2002
Ioannou, Noris ‘the art of the pour’ The Advertiser, Monday April 8 2002
Zeplin, Pam 'Ritual of tea and chat' www.craftculture.org/review/zeplin.1html 2002
Ritual of Tea JamFactory Galleries 2002 (catalogue essay-Tip me over, Pour me out!)
Faux Pea(rl)s and silver dust : Julie Blyfield. (catalogue essay) Gray Street celebrating 15 years-An Anthology 2000.
‘Post Colonial- The New Republics’ The Adelaide Review October 2000
‘Commodity/art’ The Adelaide Review No 207 December 2000
‘Ripples’ 2000, exhibition catalogue essay: Chemistry- Art in South Australia 1990-2000
‘Vault: A collaborative installation cluster ñ Ian North/Helen Fuller’ Artlink vol 19 no 1 p82 1999
‘Writing the next act’. Broadsheet vol 28 no3 spring 1999
Joanne Harris: Matte Supplement (catalogue essay) Contemporary Art Centre, Adelaide 1999. ‘Bounding’ The Adelaide Review Feb 1999
Nichols, Jonathon ‘Helen Fuller-shed tears’ CAS Broadsheet p6 vol27 no 1 Autumn1998
Harms, Lisa ‘Cosie: She decorated a house and called it home-Annette McKee & Helen Fuller' Artlink vol 18 n0 3 1998.
‘All this and Heaven too- Adelaide Biennial of Australian Art’ Eyeline no 36 autumn/winter 1998
French, Blair ‘1998 Adelaide Biennial of Australian’ Art Art/Text no 62 Aug-Oct 1998
Murray, Kevin ‘All This and Heaven Too-The Adelaide Biennial of Australian Art’ Artlink vol 18 no2 1998
‘Notions’, Adelaide Review no177, June 1998,
Bolton, Ken. ‘All this and Heaven too-Adelaide Biennial of Australian art 1998’, Art Monthly
‘Bless this Mess’ (catalogue) All this and Heaven too Adelaide Festival of Arts, Art Gallery of South Australia1998.
Tweaking Macho Art’ Courier Mail 7 May 1998
Trumble, Angus ‘All this and heaven too-1998 Adelaide Biennial of Australian Art’ Art & Australia vol 36 no1 1998
Valamanesh, Angela ‘All this and Heaven’s Dividends' Broadsheet vol 27 no 2 winter 1998
‘Skin: Di Barrett/Paul Hoban’ (review) CACSA Broadsheet vol 26 no3 Spring1997.
Review: ‘The Measured Room’ Di Barrett, Mark Kimber, Deborah Paauwe, Toby Richardson Artlink vol 18 no 1 p69-70.
Moss, Jim ‘Paranoid Times’-review: Mutant Paradigm Broadsheet vol 26 no3 Spring 1997
‘Notion motion: Mutant Paradigm’ The Adelaide Review August 1997.
Fuller, Helen ‘Alison Main’ - Road Movie (catalogue essay), Contemporary Art Centre,
Adelaide 1996. ‘Planed All Around’ (essay) Stories From The Shed edited Mark Thomson, Harpers Collins Publishers 1996.
‘Aftermath’ The Adelaide Review p31 October 1996.
Holt, Stephanie ‘Compost, Mapping an Urban Aesthetic’ Art and Australia Vol 34 no 2 Summer 1996, p176
Main, Alison ‘Airbourne’ CACSA Broadsheet p24 1996.
BCF Caravan (catalogue essay)1996.
O'Halloran, David ‘Shedding light on Mr Fuller’ The Advertiser 12 Aug 1995
Neylon, John ‘In the shed’ The Adelaide Review September 1995.
‘Dream world of floating forms’ Courier-Mail 2 March 1995
Fazakerley, Ruth BCF-Shed (catalogue) University of South Australia Art Museum 1995
Radok, Stephanie ‘Short Changed’ The Adelaide Review January 1994
Jackson, Beth ‘Lateral Spaces -The Art of Helen Lillecrapp-Fuller and Madonna Staunton’ Eyeline no1 1992
‘Helen Lillecrapp-Fuller: A Visual Diary 1979-1991’ (catalogue) Queensland University of Technology 1991.
A Visual Diary 1979-1991 QUT Brisbane 1991
McIntyre, Arthur Contemporary Australian Collage and it's Origins Craftsman House Sydney 1990
‘Brisbane lecturer secures show at Queensland Art Gallery’ Inside QUT no 61 Brisbane 18 Oct 1990.
Massy, John ‘Beneath the Surface’ Arco Coal Australia Inc. and Queensland Art Gallery (catalogue) 1989
Bayly, Mark. ‘Assembled Art’ Gold Coast City Art Gallery (catalogue) 1989
Airo-Farulla, Joe ‘Cool Quiet Art’ Eyeline, vol 2 Aug 1987
‘A Parisian ease and flair’ Weekend Australian, 28-29 Nov 1987
‘Cool Quiet Art’ (catalogue) Ipswich City Council Art Gallery 1987
Ravenswood, Kate ‘Brisbane Commentary’ Art Monthly no 3 Aug1987
Smith, Sue ‘Moments in Queensland Contemporary Art’ (catalogue) Queensland Art Gallery Brisbane 1986.
‘Collage Curtain Raiser' Courier-Mail, 23 Feb 1983
Australian Art Review no2 Warner Associates Pty Ltd with Oxford University Press, Melbourne 1983.
Bates, Elizabeth ‘Helen Lillecrapp’ Semper Brisbane 1 Nov 1982
Hughes, Ray ‘Helen Lillecrapp’ - The Collage Show Visual Arts Board Regional
Development Program no10 Sydney 1982
‘Variations on unusual themes’ Courier-Mail, 4 Nov 1982
Art Gallery of South Australia, Adelaide 1982. Artist's statement: Helen Lillecrapp-Fuller
Lynn, Elwyn ‘Letter from Australia’ Art International, vol XXXV/3-4 Mar-Apr 1982.
‘Images have a barbaric riveting power' Courier-Mail, 10 Aug1981
Webster, Sue ‘Six Brisbane Artists’ Art and Australia vol18 no4 1981
Pam Loft-Cliches catalogue essay, Nexus Multicultural Art Centre, Adelaide
Helen Artist's statement: ‘Drawn and Quartered’: Australian Contemporary Paperworks (catalogue) 1980. South Australian Paperworks (catalogue)
Langer, Gertrude ‘Two Points of View’ Courier-Mail, May 1979
Rainbird, Stephen ‘Commercial galleries lead the way; the visual arts in Brisbane’